蒋存梅 博士
职称：教授 博导
通讯地址：上海桂林路100号东部，上海师范大学音乐学院
邮编：200234
Email: cunmeijiang@shnu.edu.cn
个人简介
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上海师范大学音乐学院教授、博士生导师，中国音协音乐美学学会理事，曾任中国心理学会音乐心理学专委会主任（2017年-2021年）。已在国内外学术期刊发表80余篇论文，主持和参与国家自然科学基金、美国National Science Foundation Grant (NSF) 和欧盟ERC Starting Grant等多个研究项目，曾担任Human Brain Mapping, Music Perception, Neuropsychologia, Psychophysiology, Journal of Autism and Developmental Disorders等30余家英文学术期刊的审稿人。
研究兴趣
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1）非典型人群（失歌症、自闭症）的音乐和语言加工；
2）音乐的结构、情绪和预期；
3）音乐和减压；
4）音乐对自闭症和失语症的疗效。
代表论著
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2023
Leung, F., Stojanovik, V., Micai, M., Jiang, C., Liu, F. (In press) Emotion recognition in autism spectrum disorder across age groups: a cross-sectional investigation of various visual and auditory communicative domains. Autism Research, doi: org/10.1002/aur.2896
Jiang, J., Liu, F., Zhou, L., Chen, L., Jiang, C. (2023). Explicit processing of melodic structure in congenital amusia can be improved by redescription-associate learning. Neuropsychologia, 182, 108521.
Wang, L., Xiao, S., Jiang, C., Hou, Q., Chan, A. H., Wong, P., & Liu, F. (2023). The form and function processing of lexical tone and intonation in tone-language-speaking children with autism spectrum disorder.The Journal of the Acoustical Society of America,154(1), 467-481.
Wang, L., Ong, J. H., Ponsot, E., Hou, Q., Jiang, C., & Liu, F. (2023). Mental representations of speech and musical pitch contours reveal a diversity of profiles in autism spectrum disorder. Autism, 27(3), 629-646.
Loutrari, A., Alqadi, A., Jiang, C., & Liu, F. (2023). Exploring the role of singing, semantics, and amusia screening in speech-in-noise perception in musicians and non-musicians. Cognitive Processing, 1-15.
Loutrari, A., Ansell, K., Philip Beaman, C., Jiang, C., & Liu, F. (2023). Auditory imagery in congenital amusia. Musicae Scientiae, 27(3), 698-716.
Ong, J. H., Zhao, C., Bacon, A., Leung, F. Y. N., Veic, A., Wang, L., Jiang, C. & Liu, F. (2023). The relationship between autism and pitch perception is modulated by cognitive abilities. Journal of Autism and Developmental Disorders, 1-12.
2022
Xu, J., Zhou, L., Liu, F.,Xue, C., Jiang, J., & Jiang, C. (2022). The autistic brain can process local but not global emotion regularities in facial and musical sequences. Autism Research, 15(2), 222–240.
Loutrari, A., Jiang, C., Liu, F. (2022) Song imitation in congenital amusia: performance partially facilitated by melody familiarity but not by lyrics. Music Perception, 39(4), 341–360.
Wang, L., Beaman, C., Jiang, C., Liu, F. (2022) Perception and production of statement-question intonation in autism spectrum disorder: A developmental investigation. Journal of Autism and Developmental Disorders, 52, 3456–3472 .
2021
Wang, L., Pfordresher, P., Jiang, C., Liu, F. (2021) Individuals with autism spectrum disorder are impaired in absolute but not relative pitch and duration matching in speech and song imitation. Autism Research, 14(11), 2355–2372.
周璨, 周临舒, 蒋存梅. (2021). 音乐愉悦体验的神经机制. 心理科学进展, 29(1), 123–130.
2020
Du, M., Jiang, J., Li, Z., Man, D., & Jiang, C. (2020). The effects of background music on neural responses to reading comprehension. Scientific Reports, 10, 18651.
Sun, L., Thompson, W. F., Liu, F., Zhou, L., & Jiang, C. (2020). The human brain processes hierarchical structures of meter and harmony differently: Evidence from musicians and nonmusicians. Psychophysiology, 57(9), e13598.
Zhou, L., Liu, F., Hai, T., Jiang, J., Man, D., & Jiang, C. (2020). Absolute pitch ability is not associated with advantage in musical tension processing. PsyArXiv. doi:10.31234/osf.io/r6vm8
2019
Zhang, W., Liu, F., Zhou, L., Wang, W., Jiang, H., & Jiang, C. (2019). The effects of timbre on neural responses to musical emotion. Music Perception,37(2), 134–146.
Zhou, L., Liu, F., Jiang, J., & Jiang, C. (2019). Impaired emotional processing of chords in congenital amusia: Electrophysiological and behavioral evidence. Brain and Cognition, 135, 103577.
Zhou, L., Liu, F., Jiang, J., Jiang, H., & Jiang, C. (2019). Abnormal neural responses to harmonic syntactic structures in congenital amusia. Psychophysiology, 56 (9), e13394.
Jiang, J., Liu, F., Zhou, L., & Jiang, C. (2019). The neural basis for understanding imitation-induced musical meaning: The role of the human mirror system. Behavioural Brain Research, 359, 362–369.
蒋存梅, 赵怀阳. (2019). 大脑如何知觉音乐的形式美？——来自电生理的证据. 音乐研究, (5), 99–110.
赵怀阳, 江俊, 周临舒, 蒋存梅. (2019). 人类镜像系统参与音乐情绪的自动加工：来自EEG的证据. 心理学报, 51(7), 795–804.
2018
Sun, L., Liu, F., Zhou, L., & Jiang, C. (2018). Musical training modulates the early but not the late stage of rhythmic syntactic processing. Psychophysiology, 55(2), e12983.
张伟霞, 王莞琪, 周临舒, 蒋存梅. (2018). 歌词对音乐情绪加工的影响：行为与ERP的研究. 心理学报, 50(12), 1346–1355.
2017
Jiang, C., Liu, F., & Wong, P.C.M. (2017). Sensitivity to musical emotion is influenced by tonal structure in congenital amusia. Scientific Reports, 7, 7624.
Zhou, L., Liu, F., Jing, X., & Jiang, C. (2017). Neural differences between the processing of musical meaning conveyed by direction of pitch change and natural music in congenital amusia. Neuropsychologia, 96, 29–38.
Liu, F., Jiang, C., Francart, T., Chan, A.H., & Wong, P.C.M. (2017). Perceptual learning of pitch direction in congenital amusia: Evidence from chinese speakers. Music Perception.34 (3), 335–351.
周临舒, 赵怀阳, 蒋存梅. (2017). 音乐表演训练对神经可塑性的影响：元分析研究. 心理科学进展, 25(11), 1877–1887.
海棠, 周临舒, 蒋存梅. (2017). 绝对音高者对音乐的加工及其神经机制. 心理科学, 40(1), 51–57.
孙丽君, 周临舒, 阎芮平, 蒋存梅. (2017). 旋律语调疗法及其对失语症的临床应用. 心理科学, 40(1), 231–237.
2016
蒋存梅(2016).音乐心理学. 上海：华东师范大学出版社.
Jiang, C., Liu, F., & Thompson, W. F. (2016). Impaired explicit processing of musical syntax and tonality in a group of Mandarin-speaking congenital amusics. Music Perception, 33(4), 401–413.
Jiang, J., Rickson, D., & Jiang, C. (2016). The mechanism of music for reducing psychological stress: Music preference as a mediator. The Arts in Psychotherapy, 48, 62–68.
Zhang. J., Jiang, C., Zhou, L., & Yang, Y. (2016). Perception of hierarchical boundaries in music and its modulation by expertise. Neuropsychologia, 91, 490–498.
蒋存梅, 张清芳. (2016).语言与音乐进化的起源. 科学通报, 61, 682–690
周临舒, 蒋存梅. (2016). 音乐传达哲理性概念的认知神经机制. 心理科学进展, 24(6), 855–862.
2015
Jiang, J., Liu, F., Wan, X., & Jiang, C. (2015). Perception of melodic contour and intonation in Autism Spectrum Disorder: Evidence from Mandarin speakers. Journal of Autism and Developmental Disorders. 45: 2067–2075.
Zhou, L., Jiang, C., Wu, Y., & Yang, Y. (2015). Conveying the concept of movement in music: An event-related brain potential study. Neuropsychologia, 77, 128–136.
Liu, F., Jiang, C., Wang, B., Xu, Y., & Patel, A. D. (2015). A music perception disorder (congenital amusia) influences speech comprehension. Neuropsychologia, 66, 111–118.
王杭, 江俊, 蒋存梅(2015). 音乐训练对认知能力的影响. 心理科学进展, 23 (3): 419–429.
2014
Zhou, L., Jiang, C., Delogu, F., & Yang, Y. (2014). Spatial conceptual associations between music and pictures as revealed by N400 effect. Psychophysiology, 51(6), 520–528.
蒋存梅, 唐晓晨, 韩锺恩 (2014).音乐句法加工能力是否普遍存在？音乐研究，2014(5)：111-122.
万璇, 董世华, 蒋存梅(2014). 自闭症者对音乐和语言的加工. 心理科学, 33(1), 217-224.
江俊, 王梓梦, 万璇, 蒋存梅(2014). 音乐时间加工的影响因素. 心理科学进展, 22 (4): 650-658.
2013
Jiang C, Lim, V. K., Wang, H., Hamm, J. P. (2013). Difficulties with Pitch Discrimination Influences Pitch Memory Performance: Evidence from Congenital Amusia. PLoS ONE 8(10): e79216.
Jiang, J., Zhou, L., Rickson, D., & Jiang, C. (2013). The Effects of Sedative and Stimulative Music on Stress Reduction Depend on Music Preference. The Arts in Psychotherapy, 40: 201-205.
Liu, F., Jiang, C., Pfordresher, P. Q., Mantell, J. T., Xu, Y., Yang, Y., & Stewart, L. (2013). Individuals with congenital amusia imitate pitches more accurately in singing than in speaking: Implications for music and language processing. Attention, Perception & Psychophysics, 75(8): 1783-1798,
蒋存梅(2013). 站在巨人的肩膀上——音乐心理学数据的收集和解释. 音乐与表演, 第2期， 23-27.
2012
Jiang, C., Hamm, J. P., Lim, V. K., Kirk, I. J., Chen, X, et al. (2012), Amusia Results in Abnormal Brain Activity following Inappropriate Intonation during Speech Comprehension. PLoS ONE, 7(7): e41411.
Jiang, C., Hammn, J. P., Lim, V. K., Kirk, I. J., & Yang, Y. (2012). Impaired Categorical Perception of Lexical Tone in Mandarin Speaking Congenital Amusics. Memory and Cognition, 40 (7), 1109-1121.
Liu, F., Xu, Y., Patel, A. D., Francart, T., & Jiang, C. (2012). Differential recognition of pitch patterns in discrete and gliding stimuli in congenital amusia: Evidence from Mandarin speakers. Brain and Cognition, 79, 209-215.
Liu, F., Jiang, C., Thompson, W. F., Xu, Y., Yang, Y., & Stewart, L. (2012). The mechanism of speech processing in congenital amusia: Evidence from Mandarin speakers. PLoS ONE, 7(2), e30374.
蒋存梅, 杨玉芳 (2012). 失歌症者对音乐和言语音高的加工. 心理科学进展, 29(2): 159-167.
周临舒, 蒋存梅, 杨玉芳 (2012). 音乐和语言句法认知的比较.科学通报, 57: 2674–2685.
2010-2011
Jiang, C., Hamm, J. P., Lim, V. K., Kirk, I. J., & Yang, Y. (2011). Fine-grained pitch discrimination in congenital amusics with Mandarin Chinese. Music Perception, 28 (5), 519-526.
Jiang, C., Hammn, J., Lim, V., Kirk, I., & Yang, Y. (2010). Processing melodic contour and speech intonation in congenital amusics with Mandarin Chinese. Neuropsychologia, 48(9): 2630-2639.
蒋存梅(2010). 失天失歌症者音高加工的行为和神经基础研究述评. 音乐研究, 2: 74-79.
蒋存梅, 张前, 李卫君, 杨玉芳 (2010). 绝对音高感对音乐句法加工能力的影响. 心理学报, 42(4): 443-451.
2000-2009
蒋存梅(2008). 20世纪中国音乐表演美学研究. 由韩锺恩主编，20世纪中国音乐美学研究(pp. 328-369). 上海: 上海音乐学院出版社.
蒋存梅(2007). 国外音乐认知发展研究的回顾与反思. 音乐研究, 3: 104-112.
蒋存梅(2007). 情理之中，意料之外――音乐表演审美评价标准探讨.音乐与表演, 2: 58-61.
蒋存梅(2007). 论传统的音乐表演活动基本特征. 交响, 2: 15-20.
蒋存梅(2005). 国外音乐能力研究的回顾与反思. 音乐研究, 3: 67-74.
蒋存梅(2005). 关于国外调性音乐音高关系认知研究的回顾. 交响, 3: 45-50.
蒋存梅(2005).关于高师钢琴教学模式的思考. 齐鲁艺苑, 3: 69-71.
Krame, J. D. 著，蒋存梅 译 (2005). 音乐后现代的特点及起源. 中国音乐学, 1: 130-137.
Howe, M. J. A., Davidson, J. W., & Sloboda, J. A. 著，蒋存梅 译 (2005). 天生的才能：现实还是神话 (上). 中央音乐学院学报, 1: 91-98.
Howe, M. J. A., Davidson, J. W., & Sloboda, J. A. 著，蒋存梅 译 (2005). 天生的才能：现实还是神话 (下).中央音乐学院学报. 2: 77-83.
蒋存梅 编 (2005). 钢琴考级曲集 (第七、八级). 福州：福建人民出版社出版.
蒋存梅(2004). 莫扎特第十首钢琴奏鸣曲（K330）六个音响版本的比较研究. 音乐与表演, 2：67-73.
蒋存梅(2002). 论音乐作品的音响呈现方式. 中国音乐学, 1: 85-100.
王杭, 蒋存梅(2002). 莫扎特第十首钢琴奏鸣曲乐谱版本的比较研究. 天籁，2： 18-23.
王杭, 蒋存梅(2002). 莫扎特音乐作品中的弹性速度. 音乐探索, 2: 55-57.
Bodura-Skoda, P. 著，蒋存梅 译，蔡良玉 校 (2001). 莫扎特音乐作品的颤音. 中国音乐学, 2: 105-126.
蒋存梅(2000). 1999年音乐表演美学大观. 由韩锺恩，靳学东主编，中国音乐年鉴(pp.119-124). 济南：山东艺术出版社.
